Frame | TV

在艺术电视的设计过程中，我曾有一个突发的想法：如果电视的木质边框同时承担支架的功能，是否能够创造出一种更加简约、统一的设计形态？

During the design of an art TV, I had a sudden idea: what if the wooden frame could also serve as the TV stand? Could this integration create a simpler, more cohesive design?

基于这一思考，我探索了 Frame 概念电视。设计采用类似中括号的木框结构，将形式与功能融为一体。当电视悬挂于墙面时，木框以半框的形式勾勒出艺术画作般的视觉效果；当电视放置于桌面时，只需旋转木框，便可将其转化为稳固的电视支架。通过实木与内部不锈钢支撑结构的结合，实现了材质表达、结构支撑与外观设计之间的统一。

Building on this idea, I explored the Frame concept TV, featuring a wooden structure inspired by square brackets that seamlessly integrates form and function. When wall-mounted, the partial wooden frame creates the impression of an artwork framed on the wall. When placed on a tabletop, simply rotating the frame transforms it into a stable TV stand. By combining solid wood with an internal stainless-steel support structure, I achieved a cohesive balance between material expression, structural stability, and visual design.

在电视的玻璃背板设计上，我借鉴了 BOE「日出东方」的概念，并运用 Grasshopper 参数化设计工具生成随机纹理原型。随后，通过蚀刻与抛光工艺的结合，塑造出细腻的纹理变化与鲜明的明暗对比，在玻璃表面呈现出光泽与雾面交织的视觉效果，进一步强化产品的艺术气质与材质表现力。

For the glass back panel, I drew inspiration from BOE’s Rising Sun concept and used Grasshopper, a parametric design tool, to generate a prototype featuring a randomized texture pattern. I then combined etching and polishing techniques to create subtle textural variations and striking contrasts between light and shadow. The interplay of glossy and matte finishes enhanced the product’s artistic character and brought greater depth and sophistication to its material expression.